“Today’s songs are more likely be about one very special person: the singer.”

From John Tierney, “A Generation’s Vanity, Heard Through the Lyrics”"--

After a computer analysis of three decades of hit songs, Dr. DeWall and other psychologists report finding…a statistically significant trend toward narcissism and hostility in popular music. As they hypothesized, the words “I” and “me” appear more frequently along with anger-related words, while there’s been a corresponding decline in “we” and “us” and the expression of positive emotions.

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The researchers find that hit songs in the 1980s were more likely to emphasize happy togetherness, like the racial harmony sought by Paul McCartney and Stevie Wonder in “Ebony and Ivory” and the group exuberance promoted by Kool & the Gang: “Let’s all celebrate and have a good time.” Diana Ross and Lionel Richie sang of “two hearts that beat as one,” and John Lennon’s “(Just Like) Starting Over” emphasized the preciousness of “our life together.”

Today’s songs, according to the researchers’ linguistic analysis, are more likely be about one very special person: the singer. “I’m bringing sexy back,” Justin Timberlakeproclaimed in 2006. The year before, Beyoncé exulted in how hot she looked while dancing — “It’s blazin’, you watch me in amazement.” And Fergie, who boasted about her “humps” while singing with the Black Eyed Peas, subsequently released a solo album in which she told her lover that she needed quality time alone: “It’s personal, myself and I.”

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During this period, there have also been reports of higher levels of loneliness and depression — which may be no coincidence, according to the authors of the song-lyrics study. These researchers, who include Richard S. Pond of the University of Kentucky, note that narcissism has been linked to heightened anger and problems maintaining relationships. Their song-lyrics analysis shows a decline in words related to social connections and positive emotions (like “love” or “sweet”) and an increase in words related to anger and antisocial behavior (like “hate” or “kill”).

“In the early ’80s lyrics, love was easy and positive, and about two people,” says Dr. Twenge, a psychologist at San Diego State University. “The recent songs are about what the individual wants, and how she or he has been disappointed or wronged.”

John Tierney, “A Generation’s Vanity, Heard Through the Lyrics”